I've slowly become aware of how little people know about what goes on after a photoshoot is complete. Why I haven't blogged about this before now is maybe due to the fact that I was not aware that many clients and other people who do not take photos on a professional scale realize just how much goes into editing images after they have been taken. Now of course, this does not apply to every client's photos or every style of image. There have been many images I have taken that are just exactly how I want them coming straight off of the camera. We call these images SOOC. I have had many that I simply slap a watermark on and upload to my website or facebook page. The image below had no post-processing. This is what the image looked like exactly as I took it, the only addition was my watermark. 

However, these are typically not pictures of people, and if it is, they are rare. Most times, one image takes as long as half an hour to an hour just to get the quality and look of what I want in the final image. 

You have to understand though, most photographers do not like sharing their SOOC images for a multitude of reasons: their images are low to bad quality and they rely on an editing software maybe more than they should, the product they offer is one that is more prone to editing (which is okay if that is what the client wants or likes), they do not want to give away their editing techniques and secrets, or to dissuade unprofessionals from trying to copy or imitate their work. I'm sure there are other reasons, but that's really not the point of my blog today. 

The image below is one that I found online (NOTE: this image is not mine. I do not own the copyrights to it). The image can be found at: http://www.bloomandgrowphotography.com/2011/08/bloom-grow-actions.html
This image is of a newborn, which fyi- takes a TON of editing just because a newborn's skin is typically so rough, pink, or transparent. You'll notice the lighting has changed, as well as the baby's skin. Also, it seems the photographer has edited out part of the top right image, which can also be time-consuming if done properly. 

To illustrate this better (and since this IS a photography website and most of you like to see photos) I have recreated some of the steps I go through to show you just how I get to this process. I'd upload a video, but alas... my new computer does not have the software yet required to record all my steps. So screenshots will have to suffice. For my purpose, I'm going to go through and edit one of the images that I feel needs a much bigger change. The end result will be more dramatic so that you can tell what I am doing; however, this does not necessarily mean that it takes more or less time. It just means I am exaggerating my steps a bit more so that they are more noticeable. 

My first step is to decide how I want the image to look... black and white or a more blueish hue? I don't have to decide yet, just have a goal to work towards. I want something that will pull the eye to the model, particularly his eyes (or maybe his senior ring since this was a senior portrait). I have cropped the image so that you can see the timestamp on each. That gives you a general idea of how long it takes me between each step. You can click on each image to enlarge it. 

I noticed that he had a lot of acne (as teenagers tend to have) and so I went through and blended them into his natural skin tone. This is the kind of thing I mean when I say post-processing. I typically don't cover up moles or freckles unless specifically asked to simply because they make a person unique. I also happened to notice that he had a bad sore on his left hand. I went ahead and edited that as well. 

I went ahead and checked the rest of his skin for any noticeable blemishes. I have to stay zoomed in so that I don't miss it, so this takes time. 

After that I wanted to sharpen the image because it looked a little fuzzy on my screen. 

My next step is to go through and touch up his eyes. This is before I adjusted the opacity so that you can really tell what I'm doing. The whites of his eyes will not be quite as red as they were and you will be able to see the color of his eyes a little better. Many times I don't have to do this step, but for this image, I felt it needed it. 

Next I need to even out his skin color a little better, getting rid of the dark circles below his eyes and any other blemishes I may have missed. Yes, I know he looks plastic, this is after-all, before I have adjusted the opacity. 

As you can see, he now has his skin looking a little more realistic and a little less plastic. 

Remember I mentioned his senior ring? I want to make that pop a little more and be noticeable to the eye as well, so I'm going to pull out the color just a little. It seems intense here, but when I scroll back out, it won't be as extreme. 

I also want to pull the red out of this image some. It's not the color tone that I like for this overall look. 

I wanted to play with the shadows some as well and really pull the focus towards the center of the image. I haven't exaggerated it here just because it looks so dark and with low quality images, it's hard to depict. 

Now for the experimental part. Some images I can look at instantly and tell you what would look best. Others, I have to basically "try-on" different looks to see which I like best. I went with a sepia look first. However, with all the light and shadow behind him, I'm not sure if this is the best way to go with this photo. Let's try something different. 

This may be the way to go, but if it is then I'm going to need to dial down some of the hues in this photo. 

Yes, I like this look much better. However, there is still the problem of focusing the image in some more. After editing the hue, I realize I still need to add a little more shadow around the edges to help pull the eye towards the middle again. I don't want to overdo it though, or it will look too edited. I like my photos to have a much more natural look and not have black frames. 

And then the final step, the watermark. 

Now that image alone took nearly fifty minutes! Did you know that that is how much goes into an image?! 

Next time you think, gosh that photographer is charging a lot of money for just one hour of pictures, think about how much work goes into those pictures behind-the-scenes. That was one image and many clients expect anywhere from 20 to 100! I'm not going to do the math but if I did a bridal session for $100 and gave that bride 40 images, can you imagine the amount I got paid per hour?! So do your photographer a favor, don't request her/him to go back and re-edit, un-crop, or change their final work. It took them a long time to get there, and it comes off as rude or unappreciative. 

Well, I hope this blog post, helps to explain a little of what I and other photographers do after they see you from behind the lens. I've enjoyed giving you a little behind-the-scenes look at my post-processing. 

-Amy

Ever wonder how photographers get such awesome photos in ways that seem impossible? The truth is, they really aren't that impossible after all. Many times, a photographer has to be very innovative to get the shot he/she wants. The trick is being creative and picturing the image you want in your head before you snap the camera. I have often times used whatever I had on hand to get the image I want.

Yes, this includes using an assistant's back pocket to hold up the backdrop. However, you would have never been able to tell by just looking at the image I took of the baby, would you? 

Taking pictures doesn't have to be a dream out of reach. And it definitely doesn't have to done in a fancy studio with expensive materials. Here, we shot in the client's doorway simply because it offered the best lighting. I used materials I had at home (colorful bead necklaces, a play crown, a simple scarf, and a fluffy blanket) to make this image a true and original composition. 

To make this shoot even more personal I asked the client if they had any props they would like to add or use. She happened to have this sweet girl's first stuffed bunny, which you see in the image. It helps to make the photographs unique to that particular client. Plus, the clients like the personal touches that go into their photo shoot with you! 

Don't be afraid to get on a personal level with your clients. Chances are they're more nervous than you are! If your client seems stiff, take a moment to simply talk to your client. Discuss things that are personal and specific to them ("I love this jacket you are wearing! Where did you get it?") Anything to help them take their mind off of being in front of the camera for a moment. 

Now I'm not saying you have to find out their life story and every intimate detail, but many clients just want to know you are more than just a person behind this camera clicking away. With children, this can be very important. Some can be very shy at first. As a teacher, I know that many times children feel awkward around strange adults until you show interest in something they're interested in. Don't be afraid of acting a little silly just to get them to smile. Your smile will probably make them smile! And don't forget an important asset you have at your finger-tips: the parents! Parents are usually more than willing to help you in any way. All you need to do is ask!

I hope this helps any photographer, novice or otherwise. And just remember, you can become a great photographer with a little creativity and a lot of practice! Good luck and if you have any questions, shoot me an email under the 'contact me' tab at the top. 
                                                              
 -Amy

Borrowed this wonderful article from Magdalena D Photography @ 
https://www.facebook.com/notes/magdalena-d-photography/photography-tip-of-the-day/399889316727554  and simply added in a few of my own bits of photography..just because reading is so much better with pictures!

Tips For Your Outdoor Couples Shoot

Indoor- well you can do whatever you want as long as you have the ultimate package...

but for engagement shoots, anniversary, or darn we need good pics done to send to Gradma here are some tips...

STYLE

• Color coordinate your outfits. Ok, for this one, don't be nerds and dress exactly the same. But keep in in the same family of colors. Blues, greys, blacks and whites go well. Browns, beige, white, and blues go well. Also a pop of color looks good on her. Something really pink, red or yellow as long as the rest is neutral. For more ideas look at magazines. Art directors get paid a lot of money to coordinate outfits on shoots. 

• DO NOT WEAR BUSY PATTERNS! yes I am shouting this one. Keep it simple.
• Wear something that you've tried and tested. I has to be comfortable, it has to fit, it has to boost your confidence. It shows in the picture.

POSING
We are aiming for natural and casual but have some things in consideration.

When kissing ( I will bark a: now kiss! often, you've been warned) church tongue. Just a bit. Do not squash your face against each other, keep it light and playful. Who ever has the best profile gets to have their nose on the camera side. This will make sense in the pictures, trust me.

Also a good one, leaning into each other, one person looking at the camera, the other smelling the temple. Sounds so weird but it works. Keep it touchy-feely, look into each other, remove strands of hair... all the corny stuff :) And the most important one smile ! smile tons!